| Directing
Credits (Selected) |
|
| (Selected
from over seventy-five productions – New York City, unless otherwise noted) |
| |
|
|
| Romeo
& Juliet
by William Shakespeare |
The
CRY HAVOC Company |
walkerspace |
| "I am always impressed with [Lavoie's] eye for
piecing talented ensembles together and his knack |
| for creating brilliant landscapes of
relationships." - N.Y. Theater.com |
| |
|
|
| Sunday
on the Rocks
by Teresa Rebeck |
CB
Productions |
Abingdon
Theatre |
| "Kitt Lavoie's direction kept the pacing sharp and
terse thus creating an amazing dynamic between |
| his ensemble of talented actresses. Lavoie has
amazing insight into female relationships." - Theatrescene.net |
| |
|
|
| Macbeth
by
William Shakespeare |
The
CRY HAVOC Company |
Present
Company Theatorium |
| "The large, essentially black-box space
was well-used; the action was well-paced, and the story clearly told. |
| Much was accomplished with few trappings.... The
familiar items were all in place, but often given a new spin |
| that delivered a punch... Superb." -
Off-Off-Broadway Review |
| |
|
|
| Sleep
Over by Maria
Micheles* |
Theater
for the New City |
Theater
for the New City |
| "Raw to the point of being unnerving at times-- I loved it." - nerve.com |
| |
|
|
| realer than that by Kitt Lavoie |
CRY HAVOC/Samuel French, Inc. |
Playwrights Horizons Mainstage |
| The Cooking King by Sharon E. Cooper |
Barrel Theater/Samuel French, Inc. |
Playwrights Horizons Mainstage |
| Ingrid Milligan Is... by Maggie Smith |
Ensemble Studio Theatre |
Ensemble Studio Theatre |
| Stopping Traffic by Mary Pat Gleason |
Benefit for Fountain House NYC |
Signature Theatre |
| [pwnd] by Kitt Lavoie* |
Rising Sun Performance Company |
Theater Under St. Marks |
| by Kitt Lavoie |
CRY HAVOC/Samuel French, Inc. |
Jay Sharp Theatre |
| The
Gin Dialogues
by Kit Williamson* |
Fordham
University Playwright Thesis |
Fordham
University |
| realer
than that
by Kitt Lavoie |
Manhattan
Repertory Theatre |
Manhattan
Repertory Theatre |
| Creative
Writing
by J. Holtham* |
Luna
Stage (Montclair, NJ) |
Luna
Second Stage |
| October
31 by
Maria Micheles* |
Brooklyn
Playwrights Theater |
Siberia
Space |
| I'll
be Jonah if you be the Whale by Jeremy Wine* |
Epic
Repertory Theater |
Bank
Street Theater |
| Party Girl by Kitt Lavoie |
Algonquin Theater |
Algonquin Theater Mainstage |
| Danny
and the Deep Blue Sea by J.P. Shanley |
Sanctuary
Theater Company |
Emerging
Artists Theater |
| Yukon
Brass by
Jennifer Reichert* |
The
Riant Theatre |
Producers
Club/PC II |
| Kat
for Short
by Kitt Lavoie* |
The
CRY HAVOC Company |
Center
Stage |
| Romeo
& Juliet
by William Shakespeare |
Mimes
& Mummers Theater (guest director) |
Fordham
University |
| A
Woman Had Her
by Ben Rosenthal* |
Ensemble
Studio Theatre |
Ensemble Studio Theatre |
| The
Median Line
by Kitt Lavoie |
Ring
of Fire Productions |
Producers
Club/PC II |
| Romeo
& Juliet: Part II by Sandra Hosking |
Spokane
Civic Theatre |
American
Theater of Actors |
| Seven
Keys by
Kitt Lavoie & Graeme Gillis* |
Ring
of Fire Productions |
CSV
Center |
| As
You Like It
by William Shakespeare |
Jove
Productions |
Producers
Club/Crowne Theater |
| Italian
American Reconciliation by J.P. Shanley |
Sanctuary
Theater Company |
Producers
Club/PC II |
| A
Midsummer Night's Dream by W. Shakespeare |
Project
PLAY |
Prospect
Theater |
| Tegwar by Damon DiMarco* |
The
Players Club |
The
Players Theater |
| Oleanna by David Mamet |
Wollman Theater Company |
Wollman Theater |
| Marcus
is Walking
by Joan Ackermann |
Rising
Sun Productions< |
The
Actors Playground |
| Bad
Girls by
M.Z. Ribalow* |
The
CRY HAVOC Company |
Pelican
Theater |
| Obit by Ben Rosenthal* |
Expanded
Arts Company |
Expanded
Arts Theater |
| Then... by Cynthia Franks* |
The
CRY HAVOC Company |
Access
Theater |
| Revenge
of the Space Pandas
by David Mamet |
Goodnight
John Productions |
The
Downstairs Theater |
| Julius
Caesar
by William Shakespeare |
The
Experimental Theater |
Keating
Little Theater |
| Bent by Martin Sherman |
ASDS
Repertory |
Bleecker
Street Theater |
| The
Birth of Punk
by Ben Rosenthal* |
ASDS
Repertory |
Bleecker
Street Theater |
| The
Lesson
by Eugene Ionesco |
ASDS
Repertory |
Bleecker
Street Theater |
| Welcome
Back, Buddy Combs
by Ben Rosenthal* |
ASDS
Repertory |
Bleecker
Street Theater |
| One
for the Road
by Harold Pinter |
Actors
Studio Drama |
Wollman
Theater |
*original production
|
|
|
| |
|
|
| Associate/Assistant
Directing (Selected) |
| 110
in the Shade
by Nash, Schmidt, & Jones |
The
Roundabout Theater Co. (Broadway) |
SSDC
Fellow (Lonny Price, dir.) |
| (with Audra McDonald & John Cullum)
|
(Tony Nominated – Best Musical Revival)
|
|
| Camelot by A.J. Lerner and F. Loewe |
Y Philharmonic/Lincoln Center Theater |
Assoc.
Director (Lonny Price, dir.) |
| (with Gabriel Byrne & Christopher Lloyd) |
|
|
| The
Night Season by
Rebecca Lenkiewicz |
Bay
Street Theater (American Premiere) |
Asst.
Director (Lonny Price, dir.) |
| Roomate
by James
Ryan* |
HB
Playwrights Foundation |
Asst.
Director (James Ryan, dir.) |
| (with Terry Kinney & Piper Perabo) |
|
|
| Jonah
by Lisa
Lane* |
HERE
Arts Center |
Asst.
Director (Kevin Moriarty, dir.) |
| |
|
|
