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Member, Stage Directors & Choreographers Society
The Romantic Movement| Lincoln Center Originals: The CRY HAVOC Company | Lincoln Center/CRY HAVOC | Lincoln Center |
| Grievous Circle by Jerzy Gwiazdowski | ||
| Out of Tune by Jenny Kirlin | ||
| Sabbatical by Kitt Lavoie | ||
| Unlimited: The Music and Lyrics of Stephen Schwartz* by Stephen Schwartz, Leonard Bernstein, Alan Menken, Matt Cowart, Joshua Morgan, and Zak Sandler | Dobbins Conservatory of Theatre & Dance | Bedell Theatre |
| Merrily We Roll Along by George Furth & Stephen Sondheim |
Capital City Theatre (Madison, WI) | The Mitby Theatre |
| Our Play by Jessica Moss* | Dobbins Conservatory of Theatre [&] Dance | Rust Theatre |
| The Romantic Movement by Emily Bohannon* | Dobbins Conservatory of Theatre [&] Dance | Rust Theatre |
| The SpongeBob Musical by Jarrow and Various Artists | Dobbins Conservatory of Theatre & Dance | Bedell Theatre |
| Last Dance with MJ by Lindsay Partain* | Dobbins Conservatory of Theatre & Dance | Rust Theatre |
| Guys & Dolls by Leosser, Swerling, and Burrows | Dobbins Conservatory of Theatre & Dance | Bedell Theatre |
| Shrek: The Musical by Tesori & Lindsay-Abaire | Dobbins Conservatory of Theatre & Dance | Bedell Theatre |
| Head Over Heels by Whitty, Magruder, and The Go-Go's | Dobbins Conservatory of Theatre & Dance | Bedell Theatre |
| The New Normal (Evening of Short Plays) | Dobbins Conservatory of Theatre & Dance | Rust Theatre |
| Anyway by Jennifer Curfman* | ||
| Dirty Birds by Jenny Kirlin | ||
| Bank & Trust by Kitt Lavoie | ||
| Super Jena by Jennifer Reichert | ||
| Stay by Jenny Kirlin | ||
| Empty Handed by Katelin Wilcox* | ||
| Two Birds by Jerzy Gwiazdowski | ||
| Big Band Christmas Jukebox | Dobbins Conservatory of Theatre & Dance | Bedell Theatre |
| realer than that by Kitt Lavoie | The CRY HAVOC Company | National Touring Production |
| Romeo & Juliet by William Shakespeare | The CRY HAVOC Company | Walkerspace |
| Sunday on the Rocks by Theresa Rebeck | CB Productions | Abingdon Theatre |
| Macbeth by William Shakespeare | The CRY HAVOC Company | Present Company Theatorium |
   Left to Right: Bent, Sleepover |
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| Sleep Over by Maria Micheles* | Theater for the New City | Theater for the New City |
| Bake Sale by Jennifer Reichert* | Norwegian Actors Institute (Oslo, Norway) | NSKI Theater (Norwegian language) |
| Into the Blue by Kari Morris | Norwegian Actors Institute (Oslo, Norway) | NSKI Theater (Norwegian language) |
| Why Didn’t You Say Something? (Evening of Short Plays) |
NSKI Høyskole/CRY HAVOC | The Bridge Theatre |
| The Earth You Created by Sydney Painter* | ||
| Dirty Birds by Jenny Kirlin | ||
| The Spaceship Lands on Christmas by Sydney Painter | ||
| Bank & Trust by Kitt Lavoie | ||
| Super Jena by Jennifer Reichert* | ||
| Kat for Short by Kitt Lavoie | ||
| Stay by Jenny Kirlin | ||
| Out of Tune by Jenny Kirlin | ||
| realer than that by Kitt Lavoie | Norwegian Actors Institute (Oslo, Norway) | NSKI Theater (Norwegian language) |
| Then... by Cynthia Franks | Norwegian Actors Institute (Oslo, Norway) | NSKI Theater (Norwegian language) |
| Not Entirely Platonic by Kitt Lavoie | Norwegian Actors Institute (Oslo, Norway) | NSKI Theater (Norwegian language) |
| [pwnd] by Kitt Lavoie | Norwegian Actors Institute (Oslo, Norway) | NSKI Theater (Norwegian language) |
| The Spaceship Lands… by Sydney Painter | The CRY HAVOC Company | CRY HAVOC in NYC and Tokyo |
| All Over Me by Jerzy Gwiazdowski* | Theatre Dramadrivhuset (Oslo, Norway) | NSKI Theater (Norwegian language) |
| Sunshine by Kitt Lavoie* | Theatre Dramadrivhuset (Oslo, Norway) | NSKI Theater (Norwegian language) |
| Good Enough by Kitt Lavoie | Theatre Dramadrivhuset (Oslo, Norway) | NSKI Theater (Norwegian language) |
| Mikey Wears Braces by Jennifer Reichert* | The CRY HAVOC Company | CRY HAVOC Studio |
 ![I am always impressed with [Lavoie's] eye for piecing talented ensembles together and his knack for creating brilliant landscapes of relationships -nytheatre.com review of Romeo and Juliet](images/kittlavoiequotes_01.jpg)  Left to Right: Sunday On The Rocks; Unlimited |
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| realer than that by Kitt Lavoie | CRY HAVOC/Samuel French, Inc. | Playwrights Horizons Mainstage |
| The Cooking King by Sharon E. Cooper | Barrel Theater/Samuel French, Inc. | Playwrights Horizons Mainstage |
| Ingrid Milligan Is… by Maggie Smith* | Ensemble Studio Theatre | Ensemble Studio Theatre |
| Stopping Traffic by Mary Pat Gleason | Benefit for Fountain House NYC | Signature Theatre |
| The Five Borough Plays | NSKI Høyskole/CRY HAVOC | The Bridge Theatre |
| Baby Giraffe by Katelin Wilcox | ||
| Two Birds by Jerzy Gwiazdowski | ||
| All the Way Here by Kitt Lavoie | ||
| Dead Man Walking by Ali Keller | ||
| Deflection by Jenny Kirlin & Kitt Lavoie | ||
| [pwnd] by Kitt Lavoie* | Rising Sun Performance Company | Theater Under St. Marks |
| Good Enough by Kitt Lavoie | CRY HAVOC/Sam French, Inc. | Jay Sharp Theatre |
| The Gin Dialogues by Kit Williamson* | Fordham University Playwright Thesis | Fordham University (guest director) |
| realer than that by Kitt Lavoie | Manhattan Repertory Theatre | Manhattan Repertory Theatre |
| Creative Writing by J Holtham* | Luna Stage (Montclair, NJ) | Luna Second Stage |
| October 31 by Maria Micheles* | Brooklyn Playwrights Theater | Siberia Space |
| I'll be Jonah if you be the Whale by Jeremy Wine* | Epic Repertory Theater | Bank Street Theater |
| Party Girl by Kitt Lavoie | Algonquin Theater | Algonquin Theater Mainstage |
| Danny and the Deep Blue Sea by J.P. Shanley | Sanctuary Theater Company | Emerging Artists Theater |
| Yukon Brass by Jennifer Reichert* | The Riant Theatre | Producers Club/PC II |
| Kat for Short by Kitt Lavoie* | The CRY HAVOC Company | Center Stage |
| Romeo & Juliet by William Shakespeare | Mimes & Mummers Theater | Fordham University (guest director) |
| A Woman Had Her by Ben Rosenthal* | Ensemble Studio Theatre | Ensemble Studio Theatre |
   Left to Right: A Midsummer Night's Dream; The Birth of Punk |
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| The Median Line by Kitt Lavoie | Ring of Fire Productions | Producers Club/PC II |
| Romeo & Juliet: Part II by Sandra Hosking | Spokane Civic Theatre | American Theater of Actors |
| The Museum Plays | NSKI Høyskole/CRY HAVOC | NYC Studios 150 |
| Vega by Jerzy Gwiazdowski | ||
| Dirty Birds by Jenny Kirlin | ||
| Courbet: or Woman with a Parrot by Kitt Lavoie | ||
| Seven Keys by Kitt Lavoie & Graeme Gillis* | Ring of Fire Productions | CSV Center |
| As You Like It by William Shakespeare | Jove Productions | Producers Club/Crowne Theater |
| Italian American Reconciliation by J.P. Shanley | Sanctuary Theater Company | Producers Club/PC II |
| A Midsummer Night’s Dream by W. Shakespeare | Project PLAY | Prospect Theater |
| Tegwar by Damon DiMarco* | The Players Club | The Players Theater |
| Oleanna by David Mamet | Wollman Theater Company | Wollman Theater |
| Marcus is Walking by Joan Ackermann | Rising Sun Performance Company | The Actors Playground |
| Bad Girls by M.Z. Ribalow* | The CRY HAVOC Company | Pelican Theater |
| Obit by Ben Rosenthal* | Expanded Arts Company | Expanded Arts Theater |
| Julius Caesar by William Shakespeare | The Experimental Theater | Keating Little Theater |
| Revenge of the Space Pandas by David Mamet | The Experimental Theater | Keating Little Theater |
| Bent by Martin Sherman | Actors Studio Repertory | Bleecker Street Theater |
| Welcome Back, Buddy Combs by Ben Rosenthal* | Actors Studio Repertory | Bleecker Street Theater |
| *original production | ||
   Left to Right: Welcome Back, Buddy Combs; The Lesson |
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 Guys & Dolls |
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